START:
Black screen, three seconds. Piano music starts: high tinkling, minor key, sparse.
CUT TO:
OLIVER, a medium-sized stuffed pig, bathed in a bright light, standing on a very dark carpet/sheet. The camera faces OLIVER on, holds for three seconds, then slowly revolves, counterclockwise, around OLIVER until reaching the original position. Hold for three seconds, then...
CUT TO:
Black screen for a second, then...
CUT TO:
Title screen: "Oliver: The Erudite Pig," white Adobe Garamond letters on black, double underlined, synched with minor 7th chord. Hold for four seconds, then...
CUT TO:
Black screen for a second, then...
CUT TO:
OLIVER, standing next to a copy of Infinite Jest (on camera's left) and a Chekhov play (on camera's right.) Camera slowly moves in.
OLIVER V.O.:
"Comprehension: The pillar of communiqué, speaking not only of interaction among entities -- between me and..."
CUT TO:
TORTUGA, a small stuffed turtle, sitting on top of a copy of Hamlet. Camera slowly moves in.
OLIVER V.O.:
"...cerebral peers, or even me and lessers -- but also..."
CUT TO:
OLIVER, looking in a mirror. Camera slowly moves in.
OLIVER V.O.:
"me and myself. I am not simply what is given me; I am what I comprehend."
CUT TO:
Black screen for a second, then...
OLIVER V.O.:
"This is what I comprehend."
CUT TO:
Eyes on up of a young woman, who is wearing a tasseled hat. She blinks, occasionally, but does not move much. A few jump cuts. Piano music starts: high tinkling, minor key, sparse.
OLIVER V.O.:
"The woman is warm: A marked disparity to animals dead and dying. rubber boots are worn, and her tasseled hat can slay the chill."
CUT TO:
Stained-glass window. Camera looks at numerous different panels. A few jump cuts, with short black interludes.
OLIVER V.O.:
"She walks into church. It's cold. She doesn't mill about the unseemly..."
CUT TO:
Oliver, sitting on a pew. Jump cut to three or four different angles, with short black interludes.
OLIVER V.O.:
"...sanctuary. Ants are on the third pew. She wipes them quickly off, then sits, with her clasp-ed hands around a birch..."
CUT TO:
A bit of bark that looks like a cross, resting in a person's open hand.
OLIVER V.O.:
"...occurrence: a tiny flake of bark, a cross with jesus's outline, maybe."
ON SCREEN:
OLIVER V.O.:
ON SCREEN:
Bright light goes slowly back and forth, illuminating and non- the hand.
OLIVER V.O.:
"Her mind is itinerant, yet her plateau of feverish fervor lingers, glassy, flat mosaic of ..."
CUT TO:
Same hand, no moving light, but shot through Saran Wrap.
OLIVER V.O:
"...her and God. A holy tryst."
FADE TO:
OLIVER V.O.:
"And here is the lord, our savior, Jesus Christ, the son of the living god."
CUT TO:
Close-up of forehead with a finger drawing a cross with ashes.
OLIVER V.O.:
"Abiding her, the fragment begins to tremble, focusing activity up, then down, then left, then right."
CUT TO:
Tree appearing, then fading, in front of a bright light. (Blue screen.)
OLIVER V.O.:
"Indecorous sweat is drenching wood and light alike. To the mind, the eyes' kaleidoscope..."
ON SCREEN:
Bible appearing, then fading, in front of a bright light. (Blue screen.)
OLIVER V.O.:
"...has rendered her bible as a hoover, brown, to swallow away her sins. vroom.
FADE TO:
OLIVER V.O.:
"And gone is anthony's dalliance with her."
CUT TO:
Three seconds of randomish photographs of hands, numbers, church symbols.
OLIVER V.O.:
"Sister Ann's detection of cheating on a math test years ago."
CUT TO:
Three seconds of randomish photographs of an angry-looking man's face.
OLIVER V.O.:
"And then Wallace, Wally, knives and guns..."
CUT TO:
Blobs of color -- photoshopy, quick, bright.
OLIVER V.O.:
"...forgotten occasions."
weeping laugh. and she
began to emancipate hysteria.
a delicate apparition for feria.
a nickel and dime, two honoraria
to christ the almighty, with sincerity.
the woman is warm: a marked disparity
to animals dead and dying. rubber boots
are worn, and her tasseled hat can slay the chill.