"Sorry Marge. I'm afraid this gets my lowest rating ever: Seven thumbs up."

As in all fields when companies take in many more submissions than they use, most rejection letters I have received in my handbell composing endeavors have been obvious fill-in-the-namers: "Dear Matthew: Matthew, we receive hundreds of works submitted to us each year, Matthew, and we're sorry to say that your submissions, Matthew, are not among those we've chosen to accept. Sincerely, Matthew Smith"

But. This rejection letter, sent from the handbell editor at one of the four or five largest handbell publishing companies, was anything but. Paragraph I will put on my business cards italicized:

"Afternoon, Matthew!

"Your recent handbell endeavors, 'Meditation on "Angels We Have Heard on High"' and 'Let Vibrate' were forwarded to me yesterday from our [head office]. Many thanks for sending these along to us. I enjoyed reading through both of them earlier today.

"You have a marvelous grasp of the idiom and a true sense of the instrument in your writing. It is indeed rare to encounter a writer as yourself in today’s market.

"That said, however, brings me to the most difficult part of being an editor. I’m afraid that for catalog and market reasons, I’m going to have to pass on both titles...."

[rationale elicited, but it had to do with, y'know, catalog and market reasons]

"Matthew, please don’t despair. If it gives you any comfort, even after publishing [many] titles myself, I still get these types of letters too. I do like what you do, and hope that you will continue to keep us in mind as your muse sends new ideas....

"With every good wish for your continued success..."

oh so lovingly written byMatthew |  these are comments, absent.


short & sour.
oh dear.
messages antérieurs.
music del yo.
lethargy.
"i live to frolf."
friends.
people i know, then.
a nother list.
narcissism.













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