With a bit o' rearranging, I'm down to this: Assuming Jo[h]n would read the role of student #1 (tell me, bud), and after moving Kimberly to a larger role (where, ahem, moM and Kim are sisters; I choose to think no more about that), and after finally filling in role #9 (if I'll have to rewrite that monologue to make it closer to 13 than 10), and after admitting that I will likely end up in role #11, I am down to two positions I need filled: third base and right field. No, wait:
2) E.'s daughter, Gretchen Clark, age 17: really should be on-camera but if someone has an off-camera idea I might listen.
12) I haven't decided who it is, but it's just a little one-sentence thing; a coda, really. Prefer a young woman. Can be off-camera. I nominate either Beth-Annie or Lisa.
Anyway. Only two weeks to go, and then I will be done spending all this quality journal time worrying about my movie. Non-film post later today. I promise.
oh so lovingly written by
Matthew |
these are comments, 4.
A point opportunity? Como?
For two points, come closest to predicting my time (in 01:mm:ss form) in the Monument Avenue 10K in late March. (Hint: My time today in a 4K was 34 minutes.)
oh so lovingly written by
Matthew |
these are comments, 10.
What I think about on my way to work on days when I forget to turn the radio on.
Wait a minute. If good, moral Eileen does not have a husband, how does she have a daughter? Hmm.
My writing style for these stories is all wrong -- it's going to come off completely stilted. This will be a horrible movie.
And should I play part #11? I don't think I'm going to find anyone who will be able to in the right manner, and that's going to ruin the whole film. I'm glad I used the weasel name "Chris" in Opie's script, because while I'm no great actor, I at least know what I want from the role.
Hmm. I wonder if there's ever been a gay version of The Music Man with Marion the Librarian as a guy. I bet there has.
In fact, given the cliché about gay men and musicals, I'm surprised there isn't an industry spouting same-sex versions of famous plays-with-songs: My Fair Gentleman, Les Miserables (Miserable Because They're In The Closet, That Is), Beast and the Beast. There's money to be made here. Big money.
My next car accident -- one, two years down the road -- will be right at this spot, the entrance ramp to Nuckols Road South off of I-295, on the one day every two weeks or so when traffic comes to a complete standstill on the ramp when it ought not.
I wonder when the last time I actually got to work at 8:15A like I am supposed to was. Probably months ago.
oh so lovingly written by
Matthew |
these are comments, 8.
Um, duh, me.
I forgot: Eileen can't be married. Well, she could, but that's going to make a lot of what happens really...well, let's just say it's easier this way. Mv. Prins is now her...youngish uncle. For the time being.
Also, I am writing more in elliptical form because that is how I am writing my screenplay. I need to not do that here.
Also, S. Griffin's draft is done. (Fine. It was almost done already. But still.) Only three more to go before the day's end. [Late-breaking note: Dang. I got Alex's and daD's done and sent off, but I don't have time to do justice to moM's until tomorrow. Ah well.]
Also, please do not share your drafts with other people in the play unless you are married to them. Okay? Okay.
oh so lovingly written by
Matthew |
these are comments, 3.
Dear cast:
If you are in my off-location (read: non-Richmond) cast, you will have a first draft of your part of the script by tomorrow (Tuesday), 7:00P EST. And then on Wednesday, I am either going to give you the final draft of your part of the script or say, "Forget this. Just record that stupid first draft, because I just don't have the time." And then you will hopefully record your bit of the script by this weekend on either a cassette tape or as some sort of computer audio file -- I really care not which -- and then send it to me. If I am really on the ball, I will have vague suggestions of the style in which to read it, although my main suggestion, as always, is to read it as naturally as possible. (That does not hold true for number 11, for reasons you shall understand later.)
I am being good. I am setting deadlines for myself. I am going to get this done.
I have less than three weeks to get my butt geared and finish up this movie. (I am submitting my movie here, as well. Maybe.) Anyway, the film is now called "12 Stories About Eileen," the name change more suggestive of the story that I am subverting. (That is all I shall say on that subject.) I am now in the process of putting people into the 13 roles, and so here is where I am at.
1) E.'s Family Friend, Johnny Benson: Mv. Prins (written and sent) 2) E.'s Younger Sister, Marie Forest: K. Prins (written and sent) 3) E.'s Older Sister, Samantha Clark: S. Prins (written and sent) 4a) E.'s Piano Student, Amelia White: D. Gray (written and sent) 4b) E's Piano Student, Ken Johnson: P. Smith (written and sent) 5) E.'s Church Friend, Jeffrey Winthrop: A. Klages (written and sent) 6) E.'s Daughter's Friend, Mindy Carter: someone who can read two sentences (written) 7) E.'s Niece -- about 10, on-camera, must be of reading age: L. Neuman: a little old, but 8) E.'s Sunday School Student -- in teens, on- or off-camera: K. Marrefi 9) E.'s Sunday School Student -- in teens, on-camera: Jo[h]n, if he wants it 10) E.'s Boss, David Benedict: S. Griffin (written and sent) 11) E.'s Friend, Chris Samuels -- at least in 20s, must be on-camera: Mt. Prins 12) E.'s Daughter, Gretchen Clark -- 17, on-camera preferred: no one, yet (written)
Anyway, I need to fill in spots. Help. Ideas.
---
The competition in my mind. Last Saturday, as you will recall, I finished a blazing ninth-from-last among the 40 or so people in my novice running group. This week -- despite falling behind all the way to second-to-last at about the one-mile marker because of a very intentional intent to pace myself better -- I ended up a scorching 11th-from-last, a good 20 seconds ahead of 10th-from-last. This is good.
It has only been one week, I will admit, but I have so far managed to stay slightly ahead of the Monument Avenue 10K schedule, with a total jog/walk distance over the past week of 10K in three days (rather than the 8K required). And I've had two 30-35 minute rides on my exercise bike in that same time period, meaning that this was the first seven day cycle since, um, since I have no idea when, probably since high school, where I have met the suggestion by Koop et al. of 30 minutes of aerobic exercise five days a week. I would say the requisite "Yay me," but that will only jinx it. So, um, yay Dr. Koop.
Secrets of Industry -- Revealed! Secret #2: Make sure that your product has adequate caution labels. For example, yesterday I installed this Standard Underdesk Keyboard Manager for one of my colleagues at the office. Look at it. Does it not look like it would be comfy to set your cute butt upon? That is what I thought, and I was nearly ready to take a rest upon it when I saw the instruction sheet. "CAUTION," it said in bold capital letters, "This unit is not meant to be sat upon." Whew! Thank you, Fellowes, Inc., for saving my life!
Shut up. Some of you are asking about the screenplay -- can we read it, how many of the 12 stories are done, is it less snotcrap than the previous, etc. To you I say: Wait. Or something slightly meaner; I can't recall what my intent was. Anyway.
More than any film of 2002, the conclusion of M. Night Shyamalan's Signs -- just out on video and DVD -- requires a re-examination of the two hours of celluloid that flickered before. This ought to be no surprise to those familiar with Mr. Shyamalan’s first major film, The Sixth Sense, where the sly director cloaks the most important piece of information about Bruce Willis until the final scene. But Signs’ ending is even more subversive: Rather than force the audience to scrutinize characters’ interactions with each other, it instead compels them to reconsider the hero’s relationship with his God.
Mr. Shyamalan successfully hides his thesis -- that God is a predeterministic God, unremittingly fiddling with the dials of the universe to bring back that one lost sheep of 100 -- until he’s good and ready to reveal it. Signs starts as War of the Worlds with a static, one-family P.O.V: Mel Gibson is Graham, an Episcopal priest who's lost his faith after the death of his wife. Crop circles appear on his farm and across the world. The cause: Aliens. (One of Mr. Shyamalan’s best decisions was to have much of the alien sighting and paranoia shown through Graham and his family watching television, just as most of the world would see a [relatively] small-scale alien attack.) The aliens attack the areas near the crop circles and then, of course, eventually come to attack Graham and his family. And then, and then, and then...
I must say no more about that finale. I loved and was shocked by the ending of Signs — the most out-of-left-field ending in a film since frogs fell from the sky in 1999's Magnolia — and so I do not then intend to ruin the denouement for unprepared readers. (That said, those who wish to know no more about Signs should read no further.) Needless to say, God had an explicit hand in Graham’s family’s victory over the mean ol’ aliens, and the specific way that God gave Graham the victory over the aliens returned his faith in Him. But it goes much further than that: In a twist that recalls a religious version of 1997’s The Game, Mr. Shyamalan implies that virtually every action, quirk, and event that takes place during the timeframe of the movie -- and some before -- took place for the singular reason of returning Graham’s faith. The alien attack, Graham’s brother’s minor-league baseball career, Graham’s daughter’s refusal to drink a full glass of water, his wife’s last words: If you believe Mr. Shyamalan at face value, all of it set in motion by a God who wants nothing more than Graham’s redemption.
But one must choose either to not believe Mr. Shyamalan at face value or to conclude that Mr. Shyamalan needs to rethink his religious beliefs. It is not ridiculous to believe that God would influence certain actions to help return Graham’s belief in Him. It is ridiculous, however, to believe that God would put the entire world in jeopardy for the sake of one ex-believer, which is precisely the scenario played out in Signs. (God might leave the 99 to save the one, but it’s a bit harder to imagine Him leaving the 6,300,000,000 to save the one.) The beauty of Mr. Shyamalan’s microscopic look at the world is one can imagine the alien invasion having a positive impact elsewhere in the world, too: Bringing together divorced couples, saving children from drowning, starting new line-dance crazes. But that’s simply conjecture: There’s nothing in the text of the film that implies a net positive gain from the invasion, and much that implies death and destruction. Surely God could have a better plan to save Graham’s soul than that.
Better, then, to view Signs as allegory: As long as you jive with Mr. Shyamalan’s belief that there is a God and that He is behind certain “coincidences” -- and I do -- then the ending works on a preposterous yet giddy level. It’s absurd, yes, but knowingly so and lovably so. And the film is otherwise so accomplished -- one of the best of 2002 -- that whatever theological qualms I have about the ending are more than overcome by Mr. Shyamalan’s visual bravado and narrative knack. It’s a thinking person’s movie. Just don’t think too much about it.
[to be published in the Spring Hill Review for, oh, I guess February 2003.]
Hi. Why did not one of you say what a piece of snotcrap my current screenplay is when it is? I believe it is because you all secretly hate me and want me to try to make a film out of this snotcrap script and then look foolish in front of everyone who sees it. That is what I believe. Well, ha! Your plan has not worked! I am now ditching that screenplay for the much better screenplay that is going to be titled "Twelve Stories about Rhonda." It will be the best short film ever, and I will be famous, and I will be rich, and I will give none of my money to any of you except Kim because, well, I have to give some to her by law because Virginia is a community property state.
I have almost two hours between the time when I leave work and when I have to be at bell practice. In that time, I want to have at least six of my stories written. Also, I need at least twelve volunteers from my friends -- and you all are my friends, yes? -- to read some of the stories as a first-person narrator. What you need to do this is to have a quality microphone and a naturalistic speaking style. What you do not need is to be on camera, at least not all of y'all. You will be in the closing credits. Please tell me if you want to do this.
I do promise that someday I will write a post that is only about one topic.
My film stuff is mostly updated. Finally. My current top-ten of the year 2002, for those who have been so patiently waiting:
1:Time Out 2:Far from Heaven 3:Possession 4:Punch-Drunk Love 5:All or Nothing 6:Roger Dodger 7:Afghan Alphabet (not released theatrically)
8:Adaptation 9:25th Hour 10:Signs
I sent two poems to the Poetry Society of Virginia contest. Yay me.
I ran, er, jogged, er, jogged-slash-walked 2 miles yesterday in my first group run/jog/walk for the 10K. "This is not a contest," they said at the introduction. I do not care. Of the 35 or 40 participants in the middle running group (which spans from a woman who said, "My longest run is only four miles" to another woman who said, "Uh, wait, we're going to start running today?"), I finished my 2 miles faster than nine of them. Ha. Yay people slower than me. (It was probably because my Iowa self was more used to the sub-zero-temperatures-[in-Centigrade-that-is].) My goal is to keep on staying ahead of nine or 10 people in every run. That will make me happy. That and doing my best. Yes. All I need is to do my best. Of course. Right.
oh so lovingly written by
Matthew |
these are comments, absent.
Local newscast statement of the week.
From the Richmond CBS affiliate's newscast yesterday, before the "big" snowstorm: "Not everyone who shovels their walk will get a heart attack."
oh so lovingly written by
Matthew |
these are comments, absent.
Scene two.
Y'all remember scene one, yes? Okay. Let us continue.
[Julie is on a pay phone.]
Julie: Hi, yes, thank you, I do have a bit of an emergency. [pause] Why don't you guess? [pause] It is too not inappropriate. He's dead, so a few minutes won't... [pause] Yes. [pause] No, c'mon, just...I'm just, you must be terribly depressed, all day listening to heart attacks and cats up trees and...I'm trying to brighten your after... [pause] No? [pause]Thank you. [pause] No, not a car crash. [pause] No. [pause] No. [pause] Um, indirectly, I guess. [pause] No, you were closer the last time. [pause] It wasn't actually a branch from a tree; it was more of... [pause] You think a leaf is going to kill a man? That's just crazy. No, it was some sort of electrical compo... [pause] Yeah, kinda like tha... [pause] That one park, near the... [pause] No, on the other... [pause] Yeah, ambulance, or... [pause] Okay.
[Julie hangs up. Cut to empty church, just Julie and her friend Michelle.]
Michelle: It was a lovely service.
[Julie sits, eyes closed. Slowly, Julie's eyes start opening -- confused at first, then heading in the vague direction of angry.]
Julie: It was a lovely service. But why?
Michelle: Why?
Julie: Why. Because who.
Michelle: Who?
Julie: Who paid for this lovely service, Michelle? Who, who, who paid for this service? I did not pay for this service. Who paid for this service? I do not know. I do not believe anyone knows, and I want to know who...
Michelle: The person who paid.
Julie: The person who paid.
Michelle: The person who paid knows.
[Michelle opens up a stack of papers, very small type, etc. She rifles through them and pulls one out. On it in REALLY BIG LETTERS is: "NATHAN COOPER'S FUNERAL/PAID FOR BY/SECRET AGENT/FOR THE FBI/JULIUS KROPERMAN"]
[Cut to Julie, standing in the middle of a forest, in silence. She stands around, looking in various directions. She does a small, bored dance. She kicks her feet. Twenty seconds after the scene starts, a man (Julius) comes out of the forest, and grabs Julie. Julie screams. Quick cut to black. It is still black as the dialogue starts.
Julius: [whispering] It is not good that we are here. This is bad. This is a bad place. Bad things happen with...trees. Trees. They hear. They know we are around. I talk to trees. I say, "Hello, tree." But it is not a sincere greeting. I tell them "hello" because I want them to think that I am their friend. I lie to them. Do you understand? I am not their friend. I am not their...HI, TREES! NOTHING GOING ON HERE.
[cut to Julius' face]
Julius: JUST CHATTING ABOUT THE GREATNESS OF TREES, AS I AM SO APT TO DO. I HAVE SOME WATER THAT I WILL GIVE YOU SO THAT YOU MAY COMPLETE PHOTOSYNTHESIS VIS A VIS YOUR CHLOROPHYLL AND CELLULAR RESPIRATOIN, SO DON'T YOU WORRY ABOUT so these are robot trees, do you understand?
[Cut to Julie, gagged. She shakes her head "no." Cut to Julius.]
Last night, I had the most vivid dream that I have had in many-a-month. It was night. I was driving with Kim in my Accord down by Willow Lawn Mall in Richmond, and all of a sudden the car went kuh-thump. Kuh-thump. And then it started kuh-thumping more and more until I thought that it would be a good idea to stop the car. It had four flat tires.2 Kim told me to get the spares out of the trunk. I open the trunk, and there are three spare tires in it, not including what is in the spare-tire cubby underneath the regular trunk space. I take out the three tires, and I look in the little cubby for the fourth, and the cubby is empty. There is no fourth spare tire. I tell this to Kimberly, and she says, "F**k."2 Questioningly, I say, "F**k?" She says, "F**k, f**k, f**k."3. Then I decide that it is better for the car to drive on four flat tires than to replace one of them, so I leave all three spares on the ground and drive on completely empty, four-lane Broad Street to the nearest Merchant's Tire and Auto4. The lights are on, there are people inside, and so I go up to the counter and say, "I would like to replace all four of my tires please." The man at the counter says, "I'm sorry, but the store is closed. We're just hanging out here for the fun of it." Kim says, well, um, anyway, Kim gets angry, and then I say, "But why would you be hanging out here? That doesn't make sense." And that's the end of the dream.
---
I am obnoxious. I was at Catholic inquiry5 last night, and here is a segment of the discussion:
Me: [I am responding to a comment about Christian leadership.] The problem with saying, "Oh, here's a good, smart Christian leader, so he knows a lot about God," is that there are many religious leaders --good, smart, God-loving religious leaders -- and for even the Christian ones, their views on Biblical issues are all over the place: On communion, on baptism...
Leader: Oh, I don't know how true that is. I see Billy Graham on television, for example, and I don't know that there's anything that he says that I disagree with.
Me: Well, yeah, okay, because he's talking to a broad Christian audience, but don't you think that in his personal beliefs that there are some big differences between him and you?
Leader: Not really, no.
Me: You think Billy Graham is a transubstantiationist?
Leader: Well, I'm, I would say that there's not that much difference between he and I on the Eucharist, no.
Me:[somewhat excitedly] Not to be antagonistic6, but then why don't you let me and him take communion?
[Uncomfortable pause.]
Leader: Do you want to take communion?
Me: No, but that isn't the point...
Anyway, I very clearly lied when I said that I did not want to be antagonistic, because I obviously did, and I do sometimes want to antagonize when it comes to Catholicism, because I don't think I'll even approaching thinking about perhaps considering starting the conversion process maybe without some getting in people's faces and people getting into mine. Because this is what the whole thing boils down to: I have not seen a compelling case for me to convert. And frankly, I don't think I'll ever see a compelling reason to switch teams until Catholics trying to convince me become a little antagonistic themselves, dissin' the non-Catholic church as "weak" and "choose-your-own-religion" and such. As Kim says, I have it all right now: I get the perks of being Catholic (other than communion) without that pesky conversion bit.
That said, today I've had the strongest urge to go to a Protestant service that I've had since being married. Being obnoxious in a vaguely anti-Catholic way has, oh, I don't know what it's done. Something.
---
Very Interesting House Hunting Update, Installment Four. We bought a house7. Have a nice day!
---
1 I should point out that the Accord had its second flat tire last week, which no doubt explains the existence of this part of the dream.
2 For those who do not know Kimberly well: This word is three times more harsh than any word she has ever spoken, at least in my presence.
3 You are seeing now why I remember this dream.
4 The same one I went to for my second flat tire (as discussed in footnote 1).
5 Inquiry is where one learns about Catholicism without that pesky part of them explicitly trying to convert one8.
6 Obviously, this conversation is somewhat paraphrased, but that clause is verbatim.
7 It was 30 months ago, but still.
8 I hate not using second-person when it is not appropriate.
I am in the James River Ringers. And I have signed up for the YMCA 10-week 10K run preparation (which, supposedly, will enable me to run the whole 10K, which strikes me as unlikely, but whatever). So lethargy's butt is currently being kicked. Yay me.
---
"And if things had gone differently for me tonight then I probably wouldn't be saying any of this. I grant you everything. But give me this: he personifies everything that you've been fighting against. And I'm in love with you. How do you like that? I buried the lede." Stupid Beth-Annie and her stupid me-esque cleverness.
---
I am ambitious (yellow)1. I am half-tempted to try to replace my computer's working motherboard and processor with a faster one all by myself (by which I mean with Edward's help, of course). It will cost maybe $70, and so (and this is note to Kim) maybe I will return some of my purchases and purchase a new motherboard instead.
---
I need actors and actresses. On the weekend of January 25th, I want to start and come close to finishing principal photography on Untitled Tree Movie. But I do not have the six actors and actresses I need. I have one of them: me, who plays a disc golfer who hits his disc into a tree and says, "Ugh! That tree moved right in front of my disc!" One is not enough actors to make my entire movie, I think.
---
Contest. 2003 contests start next Tuesday. 2002 prices will be handed out and sent to the top 10 individuals this week.
---
1 I am going to start adding more jokes to this journal that no one but me gets.
Coming into the competition, five people -- Beth-Annie, Ed, Kimberly, moM, and Alexander -- could have potentially won. I will list the scores of those five people, question by question, in a "Survivor"-esque manner.
1) I have 15 AIM buddies, which was moM's exact answer.
Beth-Annie, 42½; Ed, 37; Kimberly, 36½; moM, 24¼; Alexander, 23¼. Alexander is mathematically eliminated.
3) I saw from the 12-minute mark of the third quarter to the five-minute mark of the fourth quarter, which is 22 minutes, which is Beth-Annie's exact answer.
Beth-Annie, 43½; Ed, 37; Kimberly, 36½; moM, 24¼; Alexander, 24¼. Ed and Kimberly cringe.
4) As of when I wrote the question, I had eight computers in my office and one computer at home. Ed's 5:1 ratio was closest.
5) The correct irrational number was e/pi -- approximately .86525598 -- and Lisa's first guess of radical three over two -- approximately .86602540 -- was amazingly close.
Beth-Annie, 43½; Ed, 38; Kimberly, 36½; moM, 24¼; Alexander, 24¼; Lisa-Anne, 11½. Lisa now solidly in 6th.
6) Ed's "Scelio africanus Risbec" is apparently a real animal and is closer than any of the other choices.
15) All of you undershot the distance of the rat's bite, but Alex's 11 cm was closest to the actual 6 cm.
Beth-Annie, 43½; Kimberly, 39½; Ed, 39; Alexander, 27¼; moM, 25¼. Ed and Kimberly on verge of elimination.
16) A tie: I got a +1, and moM and Kim each guessed two away (the former, above; the latter, below).
Beth-Annie, 43½; Kimberly, 40; Ed, 39; Alexander, 27¼; moM, 25¼. Ed gone. Kim must answer every remaining question correctly to win.
17) Shockingly, I have 291 bookmarks (and 42 folders!) on Yahoo Bookmarks; Kim, with the highest guess of 182, wins the puppy.
Beth-Annie, 43½; Kimberly, 41; Ed, 39; Alexander, 27¼; moM, 25¼. Kim must still answer every remaining question correctly to win.
18) I have seen 24 Woody Allen-directed movies; go here, down to the "Director - filmography" area, and I've seen Husbands and Wives through Hollywood Ending except the two TV movies (11), Crimes and Misdemeanors, Midsummer's Night Sex Comedy through September (7), Manhattan, Annie Hall, Love and Death, Sleeper, and What's Up, Tiger Lily?. Kimberly was closest with 23.
19) I have seen 16 Mike Leigh-directed movies; go here, down to the "Director - filmography" area, and I've seen Naked through All or Nothing (5), Four Days in July through Life is Sweet (4),Kiss of Death through Home Sweet Home (6), and Nuts in May. And again, Kimberly was closest with 13.
20) This is a difficult decision, one that I have been dreading, because...wait folks, just a second. I am being told by the producer that we are out of time for today. How wretching. Please come back tomorrow, same time, for the denouement of "The First Annual How Perfectly Swell Points Competition"!
oh so lovingly written by
Matthew |
these are comments, 12.
The first scene of my upcoming movie, Rose, Tulip, Dandilion, Me, or some title more explicit regarding the topic of the film.
We see an establishing shot of Julie and Nathan, who talk in an unaffected style. They are sitting underneath a tree. It is a largish tree. Cut to Julie (and cut back and forth between the talkers).
Julie: This is a nice day.
Nathan: Yes. Yes it is.
Julie: What?
Nathan: I was agreeing with you, as I also hold the opinion that today is a day beautiful.
Julie: Oh. [pause] Because it is. A nice day.
Nathan: Yes. I have gotten that clear impression from you.
Julie: [pause] Unreasonably nice, though, almost, don't you think?
Nathan: How mean you?
Julie: In that, you, one might believe that today is not as nice as it may be made out to be. Mind-wise.
Nathan: Mind-wise.
Julie: I am saying that one might believe that the day is nicer than the day actually is.
Nathan: That is horrible logic, Julie. Do you not understand the basic premises of --
Julie: I do.
Nathan: -- of subjective and objective truths, in that it is simply impossible for one to believe that a day is nicer than a day truly is, because a day's niceness is a quality that is thrust upon it by the observer.
Julie: I --
Nathan: Because can science say, "Oh, hello, I am science, and I believe that today is nice, because I have these statistics regarding --
Julie: You, sir, are perfectly aware that I was merely equating my view of the niceness of today with --
Camera starts slowly panning up the tree, and continues through "Didn't you ever go to." Julie: -- what is the overwhelming and prevailing view of the populace on the topic of the warmth of temperatures, and --
Nathan: [Angrily.] The warmth of temperatures?!?
Julie: [Agast.] I meant --
Nathan: You are putting a subjective term in front of an objective measurement like "temperature"?!? How can a temperature be nice? Weather is warm. Temperatures are high, or temperatures are low. Didn't you ever go to...
At the beginning of that last phrase, the camera is upon a piece of computer equipment that is stuck to the tree, and seemingly part of it. It falls. Nathan's speech is interrupted by Julie's scream. And...cut to opening credits.
---
Things I do not know. Why I am seemingly obsessed with trees in my play and screenplay writing.
---
Anti-lethargy. Updated. I am not doing so bad, so far.
---
Contest results. Tomorrow. 5:00P.
---
Would you be mine? Could you be mine? Won't you be my neighbor? Because you can. And you know you want to.
oh so lovingly written by
Matthew |
these are comments, 10.
Facts I did not know about my family tree until five minutes ago during lunch, when I should have been instead writing a review of Divine Discontent:
If you are not a Prins or related to a Prins, I cannot express how boring this will be to you.
The parents of my great-great-grandfather Pieter Prins were Elze Pieters Prins and Rikste Roelfs Geerdsema. They were married on June 15, 1839. Rikste was Elze's second wife, and Pieter was the only child from that wife. (There was a child, Albertje Prins, from the first wife, Grietje Edes Duit, but I can't tell if it was boy or a girl.)
The parents of my great-great-great-grandfather Elze Pieters Prins were Pieter Elzes and Albertien Jans. They were married on September 27th, 1778. Pieter lived from August 25th, 1754 to June 16th, 1813. Albertien lived from January 20th, 1754 to January 12th, 1817. They had 11 children, all of whom had the middle name Pieters and the last name Prins. I have no idea why they gave all the children this new last name, and I am now very curious. This children, in order: Anna Margaretha, Jans, Geesien, Anna, Willemke, Willemke #2, Geertruidt, Elze Harm, Harm #2, and Lukje. (I don't know this, but I would assume that Willemke #1 and Harm #1 died as infants.)
The parents of my great-great-great-grandmother Rikste Roelfs Geerdsema were Roelf Geerts Geerdsema and Aafke Harms.
The parents of my great-great-great-great-grandfather Pieter Elzes were Elze Folkerts and Margareta Kreiter (or Creuter). They were married on June 25th, 1725. Margareta was Elze's second wife. Elze and wife #1, Rijke Geerts, had eight children whom I will not name here. Elze and Margareta had six children, all with the last name Elzes: Anna, Pieter, Geertruid, Lucas, Geertruid and Lukke (or Lukje).
The parents of my great-great-great-great-grandmother Albertien Jans were Jannes Harms and Geessie Dieters. (Apparently, they just make up these last names.) (No, I do see what is happening with some of these names; they are taking the father's first name [and sometimes changing it slightly] and making it the last name.)
The parents of my great-great-great-great-great-grandfather Elze Folkerts were Folkert Ludes and Grietje Lukas. They were married on April 28, 1695. They had six children, all with the last name Folkerts: Lukas, Lukke, Jantje, Elze, Lude, and Lude #2.
The parents of my great-great-great-great-great-grandmother Margareta Kreiter were Pieter Creuter and Anna Berents.
The father (I presume) of my great-great-great-great-great-great-grandfather Folkert Ludes was Lude Jans.
The parents of my great-great-great-great-great-great-grandmother Grietje Lukas were Lukas Jans and Jantje Elles.
Thus, I now know three of my 512 great-great-great-great-great-great-great-grandparents. How cool.
Go here if you want more information and you read Dutch or can fake it by using this. The Internet is a lovely thing.
oh so lovingly written by
Matthew |
these are comments, absent.
Potential pretentious titles for future films de Matthew Prins.
Seven Soliloquies About God
Man, Woman, Child, Me
Collapsing Heaven, With Me Underneath
Superfluous Water
Red, Blue, Green, Me
Oú Est L’Entrée?
The Long Snapper's Anxiety at the Game-Ending Field Goal
Charles Nelson Reilly: Taciturn Auteur
Differential Equations Equals Differential Love
Qeenamteneticitica
Blood, Sweat, Tears, Me
I Hate Homosexuals But Only Because I Really Am One Like In American Beauty US Highway 20: Metaphor for America
A Solution Seeking a Problem
Ambition #17
No Poop, Gotta Buy Some
Me, Me, Me, Me
For about 17 different reasons -- my camcorder should be coming today, I have two music reviews to write for Wednesday, I have James River Ringer auditions tomorrow, I have to finish putting together a foosball table -- do not expect much writing until Thursday. That said, five things must be mentioned.
1) I need ideas for my movie that are do-able with very few actors and very little money.
2) Today is last day for the final contest, and I am wondering: Are Beth-Annie and Ed going to bow out and allow Kimberly a chance to win? It does seem that way.
3-5) I only had two things that needed to be mentioned. I am a liar.
Hello. I am trying something. Please ignore this post. Or not. Do you think I care if you do or do not? [Insert other meta-comments here.]
oh so lovingly written by
Matthew |
this is comment, one.
And then there was one.
This is for twenty points. One point per question. You may not change your answer. If the comments are not working, you may e-mail answers to mdprins@yahoo.com. Right-hand points are up-to-date (including these; Beth-Annie got numbers 1 and 4, Alex got numbers 3 and 6, and moM and Alex split number 8). This is it. Yay future winner. Boo all you losers who will not win because you are not lovely enough. You have until Monday, January 5th, and then no more points will be counted for 2002.
2) The animal closest in name, alphabetically, to my most anticipated movie of 2003 (not including The Son, which I have already seen and oh so loved).
oh so lovingly written by
Matthew |
these are comments, 6.
3) The number of minutes of game time I saw of Tuesday's Humanitarian Bowl.
oh so lovingly written by
Matthew |
these are comments, 7.
4) The ratio of computers, working or non-, between my office and my house.
oh so lovingly written by
Matthew |
these are comments, 6.
5) The irrational number between 0 and 1 that I am thinking of right now.
oh so lovingly written by
Matthew |
these are comments, 9.
6) The animal closest in name, alphabetically, to the model number (not manufacturer) of the digital video camera I bought two days ago because there was this really great sale on it at Amazon.
oh so lovingly written by
Matthew |
these are comments, 7.
7) The amount of money I owe in fees to the Henrico County Library system, and...
oh so lovingly written by
Matthew |
these are comments, 7.
9) ...the number of books I have checked out, not including duplicates. (Yes. There is a duplicate.)
oh so lovingly written by
Matthew |
these are comments, 6.
10) The animal closest in name, alphabetically, to the name of the computer on my work network that houses both Paradox databases and the color printer drivers.
oh so lovingly written by
Matthew |
these are comments, 6.
11) The number of to-dos on my white board at work, and the number of them I have actually done. (Judging based on total distance from correct answers.)
oh so lovingly written by
Matthew |
these are comments, 6.
12) The total number of months out of date the two calendars on my office wall are.
oh so lovingly written by
Matthew |
these are comments, 6.
14) The animal closest in name, alphabetically, to the full first name of my 10th grade crush. (Note: At least two people here have been told the name of said young woman; no doubt they've forgotten, however.)
oh so lovingly written by
Matthew |
these are comments, 6.
15) The score, given in strokes either above (+2) or below (-2) par, of my last ever disk golf round in the old course layout at Dunncroft-Castle Point Park.
oh so lovingly written by
Matthew |
these are comments, 7.
16) In centimeters, the distance on my work radio's power cord between the radio and the location where what I assume is a rat or mouse bit through the cord.
oh so lovingly written by
Matthew |
these are comments, 7.
i sincerely do not know what you are doing here. are you lost? were you
looking for your delicate calico cat, and did you follow her up two flights of stairs
to this room? she is not here. she was here, yes. we gave her a warm bowl of milk, we talked with her about campaign finance reform for a time, and then she bid us good day. i believe she was
going to the post office two blocks down, but i don't quite recall.
for surely you did
not find your way from prinsiana, the least traveled site on
the internet. if you did, though, perhaps you are looking for humor. perhaps you are looking for profundity. perhaps you are looking for answers.
i'm sorry, but you shall go naught-for-three.